Showing posts with label jas2022 2. Show all posts
Showing posts with label jas2022 2. Show all posts

The Milap Milan Zaveri directed Ek Deewane Ki Deewaniyat has witnessed a drop in collections on the third day. According to early estimates, the Harshvardhan Rane starrer has collected approx. Rs. 6 crores on its third day, taking the total to Rs. 24.90 crores.

The decline of around 25% is within the expected range, especially after a strong hold on Day 2. The film continues to attract youth audiences in tier-2 and tier-3 centres, while metropolitan circuits have seen a sharper fall due to the end of the festive boost. Despite the dip, the film’s trending remains stable considering its limited showcasing across single screens and smaller towns.

The movie has clearly found its core audience, and the goodwill from Sanam Teri Kasam continues to aid recall and footfalls. If the film maintains its pace through the weekend, Ek Deewane Ki Deewaniyat is likely to touch the Rs. 40 crore mark by the end of the 6-day extended Diwali period, setting it up for a clean HIT verdict.

The film has already surprised trade analysts by exceeding early projections and holding its ground against bigger releases, proving yet again that strong emotion-driven storytelling continues to find its audience.



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The Ayushmann Khurrana and Rashmika Mandanna starrer Thamma has maintained a steady trend on Day 3. As per early estimates, the film has collected in the range of Rs. 12 crores to Rs. 12.50 crores on Thursday, showing another healthy hold as compared to Wednesday.

With this, Thamma’s three-day total stands at approximately Rs. 56 crores at the India box office. The Dinesh Vijan–produced Maddock Horror Comedy Universe (MHCU) film continues to perform best in urban and premium multiplex circuits, sustaining interest through strong word of mouth.

The six-day extended weekend target of Rs. 100 crores now seem slightly ambitious, with current trends pointing towards an extended weekend total in the range of approx. Rs. 90 crores. Nevertheless, the film’s trajectory remains solid and is likely to emerge as Ayushmann Khurrana’s biggest hit to date, cementing his position as the Master of Uniqueness even in a large-scale universe film.



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After collecting quite well in double digits on Tuesday with Rs. 10.10 crores coming in, Milap Zaveri’s Ek Deewane Ki Deewaniyat surprised on Wednesday as the hold was much better than expected. It had seemed that around 25% drop would come on the day after big Diwali holiday and Wednesday numbers would be in Rs. 6.50-7.50 crores range. However, there was another very good day in store as Rs. 8.88 crores came in that has taken the two-day score to Rs. 18.98 crores.

Now, that’s hardly a drop and could well have been the first day number and still been quite good. However, it’s the second day score and that goes on to show that there is an audience out there where word of mouth is seemingly working since there is as much as music and the lead hero’s rising popularity that can do, and post that merits start coming into picture.

Still, it’s early days and the acid test would be the hold today for this Harshvardhan Kapoor and Sonam Bajwa starrer. If collections emerge on top of Rs. 7 crores today, then it’s game on since there would be a definite rise in collections again tomorrow, with chances of the film hitting double digit again on Saturday and Sunday. If that indeed turns out to be the case, then we could as well have a sure shot hit in the six-day extended weekend itself.

Note: All collections as per various box office sources



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After opening quite well at Rs. 25.11 crores on Tuesday, Thamma saw a good hold on Wednesday as Rs. 19.23 crores came in. Since this was the day after big Diwali holiday, collections were bound to come down. Also, Tuesday was as it is good enough and hence as an absolute number on Wednesday has come out well.

A number in Rs. 18-19 crores was always going to have a good ring to it as that would have meant at least Rs. 15-16 crores more today before the core weekend begins. Now, the film will have a substantial extended weekend for itself and as long as the drop, if any, is under control today, the collections will go up again tomorrow with Friday and Saturday stepping over Rs. 20 crores mark and then Sunday aiming to cross first day number of Rs. 25.11 crores all over again.

The two-day total of the Ayushmann Khurrana, Rashmika Mandanna and Nawazuddin Siddiqui starrer currently stands at Rs. 44.34 crores and that’s a good total when the actual weekend is still ahead of it. The horror comedy is set to be a success and the next few days will decide how big will that turn out to be.

Note: All collections as per various box office sources



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Ayushmann Khurrana has every reason to celebrate this festive season. His latest release, Thamma, has set the box office ablaze with a phenomenal start, emerging as the highest opening day grosser of his career. The Dinesh Vijan production has collected an impressive Rs. 25.11 crores on Day 1, marking a record-breaking beginning for the Ayushmann.

For an actor known primarily for his high-concept, content-driven cinema, this number is a landmark achievement. Thamma has more than doubled the opening of Ayushmann’s previous best, Dream Girl 2 (Rs. 10.69 cr), which held the top spot until now. The actor’s earlier films like Bala (Rs. 10.15 cr), Dream Girl (Rs. 10.05 cr), and Shubh Mangal Zyada Saavdhan (Rs. 9.55 cr) also delivered strong openings, but none came close to the thunderous response Thamma has generated.

Even his breakout hits such as Badhaai Ho (Rs. 7.65 cr) and Article 15 (Rs. 5.02 cr) were celebrated for their content and longevity rather than massive day-one figures. Doctor G, one of his more recent releases, had opened at a modest Rs. 3.87 cr, a reflection of the challenges content films faced in the post-pandemic theatrical landscape. With Thamma, however, Ayushmann has rewritten the narrative, proving that strong content can coexist with blockbuster-scale opening numbers.

The film’s extraordinary debut also underscores the growing fanbase for Dinesh Vijan’s Maddock Horror Comedy Universe (MHCU). Over the years, Maddock has cultivated a distinct identity with films like Stree, Munjya, and Bhediya. Thamma, which sees Ayushmann playing a Betaal — a bold, unorthodox role with no cinematic precedent — fits perfectly into that universe, blending humour, folklore, and heart with mass appeal.

Trade circles have lauded Ayushmann’s ability to turn unconventional premises into mainstream winners. The film’s strong start during Diwali, traditionally dominated by commercial action entertainers, proves that audiences are now willing to embrace originality during festive periods as well.

Given its massive opening and highly positive word-of-mouth, Thamma is expected to enjoy an excellent run through the extended six-day festive weekend. Industry predictions suggest the film could clock anywhere between Rs. 60-70 crore by the end of its extended debut frame making it not only Ayushmann Khurrana’s biggest opener, but also potentially his highest-grossing film to date.

With Thamma, Ayushmann has not just delivered a box office hit he’s redefined what success looks like for original, high-concept Hindi cinema.

Ayushmann Khuranna’s Highest Opening Day grossers at a glance: Thamma - Rs. 25.11 cr Dream Girl 2 - Rs. 10.69 cr Bala - Rs. 10.15 cr Dream Girl - Rs. 10.05 cr Shub Mangal Zyada Saavdhan - Rs. 9.55 cr Badhaai Ho - Rs. 7.65 cr Article 15 - Rs. 5.02 cr Doctor G - Rs. 3.87 cr



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Ayushmann Khurrana has done it again! His latest release, Thamma, has set the box office buzzing with a fantastic opening, proving that content-driven cinema can pack a major commercial punch even amid big-ticket spectacles. According to early estimates, the Dinesh Vijan production has collected an impressive Rs. 25.11 crores on its opening day, securing the fourth spot among the biggest opening day grossers of 2025.

With this feat, Thamma has managed to surpass several big releases, including Housefull 5 (Rs. 24.35 cr), Saiyaara (Rs. 22 cr), Raid 2 (Rs. 19.71 cr), and Kantara: A Legend – Chapter 1 (Rs. 18.50 cr). The only films ahead of it are the year’s massive tentpoles — Chhaava (Rs. 33.10 cr), War 2 (Rs. 29 cr), and Sikandar (Rs. 27.50 cr).

Trade analysts credit this powerful start to the combination of Ayushmann’s credibility in offbeat genres and producer Dinesh Vijan’s growing Maddock Horror Comedy Universe (MHCU). Over the years, Maddock has cultivated a strong following for its high-concept, entertaining stories that blend humour with supernatural elements. With Thamma, that universe expands, and its fanbase clearly showed up in full force over the Diwali weekend.

What makes Thamma’s debut even more significant is the competition it faced. Releasing in a festive frame, the film managed to carve its own audience, pulling crowds through strong word-of-mouth and the allure of Ayushmann’s unconventional “Betaal” act — a role no mainstream Bollywood hero has attempted before.

Given its start, Thamma is expected to witness a robust weekend trend. Early projections indicate that the film could clock around Rs. 70 crore by Sunday, a number that would firmly establish it as one of 2025’s most profitable ventures.

Top 10 Highest Opening Day grossers of 2025: Chhaava – Rs. 33.10 cr War 2 – Rs. 29.00 cr Sikandar – Rs. 27.50 cr Thamma – Rs. 25.11 cr Housefull 5 – Rs. 24.35 cr Saiyaara – Rs. 22.00 cr Raid 2 – Rs. 19.71 cr Kantara: A Legend – Chapter 1 – Rs. 18.50 cr Sky Force – Rs. 15.30 cr Baaghi 4 – Rs. 13.20 cr



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This Diwali, Ayushmann Khurrana and Maddock Films have set the box office ablaze with Thamma, which has registered an outstanding opening day collection of Rs. 25.11 crore. With this figure, Thamma confidently claims its place as the second-highest opening day performer in the Maddock Horror Comedy Universe (MHCU), trailing only the franchise juggernaut Stree 2, which soared to an unmatched Rs. 55.40 crore.

Thamma’s debut is all the more remarkable when put against the history of MHCU releases. The original Stree made a mark with Rs. 6.82 crore, Bhediya launched with Rs. 7.48 crore, and Munjya, another entrant to the universe, managed Rs. 4.21 crore on its first day.  What gives Thamma its rare edge is its achievement as a standalone film, introducing audiences to the Betaal legend without the groundwork or brand loyalty that powers a sequel like Stree 2. That it nearly quadrupled the openings of Stree, Bhediya, and Munjya signals a turning point for what festival audiences now seek out—originality, thrilling storytelling, and charismatic new heroes.

Maddock’s marketing and Ayushmann’s reputation for unique, genre-defining roles have clearly paid off, delivering not only a commercial triumph but re-shaping expectations for horror-comedy content. Trade watchers and box office analysts alike note that Thamma’s success spans across India’s East, West, North, and South, reflecting a nationwide appetite for fresh stories and cultural mythologies. Thamma stands as proof that, even amidst the excitement and proven crowd-pull of long-standing franchises, audiences respond in huge numbers to originality and innovation.

The film’s robust opening promises an exceptional extended holiday run, with producers and distributors keenly anticipating its cumulative weekend and week one totals. For Maddock Films, Thamma is not just a win—it’s a clear message. In modern Bollywood, unique concepts and risk-taking stars can transform genre pieces into festival mainstays.

With Thamma, the MHCU, already rich with hits, now moves forward with renewed momentum for unconventional blockbusters and for 2025, Diwali belonged to authentic storytelling and fresh cinematic energy. Going forward, with a six-day extended  festive weekend the business of the film is expected to see exponential growth with collections hovering between the Rs. 60-70 cr mark.

MHCU Opening Day collections at a glance: Stree 2 – Rs. 55.40 crore Thamma – Rs. 25.11 crore Bhediya – Rs. 7.48 crore Stree – Rs. 6.82 crore Munjya – Rs. 4.21 crore



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It was predicted in this column that Thamma will take an opening of Rs. 25-30 crores on Tuesday, the big Diwali holiday. Well, this is exactly what happened as the film managed a very good start of Rs. 25.11 crores. A start on top of Rs. 20 crores was always on the cards and once the advance booking opened, a number close to Rs. 25 crores was there for the taking. Add to that the Diwali holiday and you know that spot booking will come into action as well as families venture out for celebrations and festivities.

As a result, the collections have come out to be quite positive and now it’s all about sustaining in & around these numbers for rest of the extended weekend till Sunday. Basically, the job is done for the film despite a very high budget for the star cast and positive reports imply that there is a lot of distance that this horror comedy offering would be able to cover in the open season ahead.

Of course, considering the fact that it’s Diwali and there is a very wide release that the film managed to get, one could well have placed a bet on Rs. 30-35 crores as well. However, one needs to also take into consideration the fact that the film doesn’t feature any of the top superstars and for Ayushmann Khurrana too, this is more than double of his biggest opener till date. The actor had a huge success ratio for multiplex films pre-pandemic and while post-pandemic he did score with Dream Girl 2, it’s Thamma which is his first truly all-India Bollywood biggie. He is now set for his first Rs. 200 Crore Club superhit and that’s a major jump start indeed.



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The Diwali 2025 release, Thamma has proved to be a box-office dhamaka as the Maddock Horror Comedy Universe film has surpassed all expectations on the opening day as per early estimates. According to our tracking, the Dinesh Vijan produced film starring Ayushmann Khurrana and Rashmika Mandanna has opened in the range of Rs. 24 crores to Rs. 26 crores, which is about 30 percent higher than the pre-release expectations.

The film has taken a start all across the board - be it single screens or multiplexes - and the collections were on the rise on a show-to-show basis, indicating a strong word of mouth among the cinema-going audience. The film yet again showcases the strength of the horror comedy universe, and this establishes it as one of the most successful universes of Indian cinema.

The film has emerged as the #1 opener to date for Ayushmann Khurrana, and this has come despite a clash with another film - Ek Deewane Ki Deewaniyat. The reports are plus, which means that a Rs. 100 crore plus weekend (Tuesday to Sunday) is on cards for this horror comedy.

Thamma is directed by Aditya Sarpotdar and produced by Dinesh Vijan and Amar Kaushik



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In a regular year, one wouldn’t have fathomed Ek Deewane Ki Deewaniyat to find a Diwali release for itself. After all, the big day is dominated by the likes of Akshay Kumar, Ajay Devgn, Shah Rukh Khan and Salman Khan, and it was only last year when Kartik Aaryan made inroads and delivered a huge success with Bhool Bhulaiyaa 3. Now, this year, the scale is lesser for both the new releases. Neither is Thamma is an event film, nor is Ek Deewane Ki Deewaniyat, a film that one associates with a holiday arrival.

Still, here they are, with the big guns making way for the next in line to make the best of the big holiday season ahead and do something good for Bollywood and its box office business. While Thamma is a bigger film, it isn’t the kind that one sees releasing in 4000-5000 screens, which means Ek Deewane Ki Deewaniyat has eventually earned good showcasing for itself after all the brouhaha that was being evidenced till a couple of days back.

On a regular Friday, this Milap Zaveri directed romantic drama would have seen an opening day of Rs. 5-6 crores. However, superhit music as well as the fact that it has managed good hype for itself due to Diwali clash means that the advance booking is heading well towards 35-40K sales at the PIC. This would be good enough to secure an opening day of Rs. 8 crores with an outside chance of stepping into a double digit zone as well.



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There may not be fireworks this Diwali with no superstar bringing his film on the festive occasion. Still, with Thamma belonging to horror comedy universe, there is reasonable buzz around it. The hype may not be strong but there is awareness and that should be good enough for the film to take a good start.

Moreover, this is also a new character inclusion in the universe, unlike Stree, which is established, and Bhediya and Munjya, which will have much bigger opening than their predecessors when their second part comes. In this case, Thamma will start on its own accord with the universe factor propelling it to a good extent and then the big holiday doing its bit.

As a result, though as a standalone film Thamma would have started in Rs. 15-18 crores range with Ayushmann Khurrana working for the multiplex audience and Rashmika Mandana leveraging her popularity at the single screens as well, aforementioned factors mean that a start of Rs. 20 crores is on the cards. Advance booking is progressing well towards 1 lakh mark and then spot booking will further ensure good footfalls, especially in the evening and night shows.



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After scoring (extended) first week of Rs. 44 crores, Sunny Sanskari Ki Tulsi Kumari had a second weekend of Rs. 10.33 crores. The fact that second Friday was slightly higher than Thursday allowed the film to have some sort of a trajectory over the weekend gone by and that has allowed it to cross the Rs. 50 crores mark.

The film moved up slightly over its Saturday collections and ended up bringing in Rs. 4.08 crores on Sunday. What the Shashank Khaitan directed romcom would be looking for now is to stay in the vicinity of Rs. 1.50 crore on Monday as that would be less than 50% drop when compared to Friday. Looking at the trending so far, this should be possible as well, more so since there is no competition other than Kantara: Chapter 1 and that too is primarily in Maharashtra as in other places it’s more or less on par or just slightly behind.

The Varun Dhawan and Janhvi Kapoor starrer has now collected Rs. 54.33 crores and it would now be aiming to close its second week at Rs. 60 crores. The Karan Johar film has no competition in the third weekend as well.

Note: All collections as per various box office sources



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It’s a 50 for Sunny Sanskari Ki Tulsi Kumari! After being in theatres for 10 days, the Karan Johar production has now scored a half century at the box office. The film did open well on the national holiday of Dusshehra and Gandhi Jayanti, and now in its second weekend it’s finding an audience for itself at the key urban centres.

All of that has ensured that collections grew from Friday (Rs. 2.50 crores) to Saturday (Rs. 3.75 crores), and that’s a good sign because Sunday is yet to come which will be the best day of its run in the second week. That should amp up the overall total further post which the countdown begins for its next 10 days before Diwali releases arrive.

Standing at Rs. 50.25 crores, this is now second consecutive half century for Janhvi Kapoor after Param Sundari. Of course, she too would be aiming for a Rs. 100 Crore Club success soon but then romcoms have their own limitations, ever since pandemic, and hence the benchmark is for the numbers to be in the vicinity of Rs. 75 crores.

Note: All collections as per various box office sources



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Sunny Sanskari Ki Tulsi Kumari held quite well on its second Friday with Rs. 2.50 cr coming in. One waited to see if that would happen indeed since there was no new notable release this weekend. Still, despite no competition, it’s always a wait-n-watch scenario since anything can happen in today’s box office scenario and hence this kind of hold on Friday was very much required.

The Varun Dhawan and Janhvi Kapoor led romcom ended up collecting Rs. 2.50 crores and now there would certainly be good growth evidenced today. The film would be aiming to go past the Rs. 3.50 crores mark and once that happens then tomorrow too a little better number may come in which means it has a shot at Rs. 10 crores+ weekend.

So far, the Shashank Khaitan directed film has collected Rs. 46.50 crores and by the time the second weekend would be through, it would be close to Rs. 55 crores mark. Tho also means that a lifetime in the vicinity of Rs. 65 crores is there for the taking, as a result of which the Karan Johar production would comfortably go past the last romcom seen at the big screen, Param Sundari.

Note: All collections as per various box office sources



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Sunny Sanskari Ki Tulsi Kumari had a first week on the lower side as it collected Rs. 44 crores at the box office. It was 8 days extended week since the film had released on Thursday October 2. Moreover, it was also a major holiday of Dusshehra and Gandhi Jayanti, hence it did have advantage of that as well at least on the first day.

On the other hand, it was also impacted by Kantara: Chapter 1 (Hindi) which scored a huge century in its first seven days itself. If not for this competition - as a result of which it also had to get into screen and shows sharing mode - the collections would certainly have looked better. The film is also finding its audience in big cities and metros due to its inherent appeal which catered to urban audience.

The Shashank Khaitan directed romcom deserved to cover a larger distance though. There are 10-11 open days ahead of it where the only competition will stay on to be Kantara: Chapter 1 (Hindi). With no new major release today and then next Friday, the Karan Johar production is expected to cross Rs. 60 crores in its lifetime.

Note: All collections as per various box office sources



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The success streak of South Indian cinema in the Hindi belt continues as Kantara: Chapter 1 has now become the second highest Hindi dubbed release of 2025 to cross the coveted Rs. 100 crore mark, collecting an impressive Rs. 103.10 crore in its Hindi version. Directed by Rishab Shetty, the mythological action-drama has emerged as one of the most organically celebrated films of the year, following in the footsteps of Harman Baweja’s animated blockbuster Mahavatar Narsimha (Rs. 182.83 crore), which currently holds the top spot among Hindi dubbed releases of 2025.

While Mahavatar Narsimha represented a landmark for Indian animation, Kantara: Chapter 1 marks another triumph for storytelling rooted in folklore and tradition. With its intense narrative, spiritual symbolism, and Shetty’s compelling screen presence, the film has resonated strongly with audiences across demographics. Its Hindi run has been particularly noteworthy, sustaining excellent footfalls well beyond the opening week — a rarity in today’s fast-paced box office landscape.

Trade experts attribute the film’s steady rise to its powerful word-of-mouth and emotional appeal. Without relying on large-scale promotions or aggressive marketing, Kantara: Chapter 1 managed to pull audiences into theatres through sheer curiosity and authenticity. The result: the film now joins a rare club of South-origin dubbed hits that have crossed Rs. 100 crore in Hindi, standing tall alongside massive franchise titles like Pushpa: The Rise, Salaar: Part 1 – Ceasefire, and RRR.

The success also underlines the shifting preferences of Hindi audiences, who are embracing regional cinema that offers deeper narratives and cultural resonance. Much like the original Kantara (2022), this chapter thrives on its rootedness, combining mysticism and emotion in a way that connects beyond linguistic boundaries.

With Kantara: Chapter 1 crossing Rs. 100 crore, and Mahavatar Narsimha leading the Hindi dubbed box office for 2025, the year has so far been a strong one for non-Hindi content that emphasizes originality and vision over conventional Bollywood formulas.

As it continues its theatrical journey, Kantara: Chapter 1 not only strengthens the foothold of Kannada cinema in the pan-India market but also reinforces Rishab Shetty’s reputation as a storyteller who can blend devotion, drama, and cinematic scale seamlessly.

Rs. 100 cr Hindi Dubbed grossers of 2025:

Mahavatar Narsimha - Rs. 182.83 cr Kantara: A Legend Chapter - 1 - Rs. 103.10 cr



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The remarkable box office journey of Kantara: Chapter 1 continues to underline the growing power of regional storytelling in the pan-India space. The Rishab Shetty directorial has officially crossed the coveted ₹100 crore mark in its Hindi version, earning an impressive Rs. 103.10 crore and securing its position as the 12th highest-grossing Hindi dubbed film of all time.

This milestone firmly places Kantara: Chapter 1 in an elite league of South-origin blockbusters that have managed to conquer the Hindi market — a list dominated by films such as Pushpa 2: The Rule (Rs. 830.10 crore), Baahubali 2: The Conclusion (Rs. 510.99 crore), KGF – Chapter 2 (Rs. 434.70 crore), Kalki 2898 AD (Rs. 294.25 crore), and RRR (Rs. 274.31 crore).

While those titles rode on massive nationwide campaigns and mega-budget scale, Kantara: Chapter 1 has achieved this feat on the strength of its rooted storytelling, word-of-mouth publicity, and organic audience pull — much like its predecessor Kantara (2022), which became a cultural phenomenon. Its Hindi dubbed collections reflect the growing appetite of northern audiences for authentic regional narratives delivered with cinematic scale and emotional depth.

The Rs. 100 crore milestone also cements Kantara: Chapter 1’s standing alongside other big-ticket dubbed successes such as 2.0 (Rs. 189.55 crore), Mahavatar Narsimha (Rs. 182.83 crore), Salaar: Part 1 – Ceasefire (Rs. 153.84 crore), Saaho (Rs. 142.95 crore), Baahubali: The Beginning (₹118.70 crore), and Pushpa: The Rise – Part 1 (Rs. 108.26 crore).

For a film that thrives on mythology, tradition, and mysticism rather than star power or heavy VFX, Kantara: Chapter 1’s Hindi success reiterates a defining trend of the past few years: content now transcends language. It’s proof that cinematic authenticity can generate the same box office energy as spectacle-driven event films.

Trade experts credit Rishab Shetty’s direction and performance for grounding the narrative in strong cultural ethos while still appealing to a national audience. The film’s Hindi business remained remarkably steady even after its initial surge, benefitting from repeat viewership in multiplexes and strong retention across Tier 2 and Tier 3 centres.

With this latest milestone, Kantara: Chapter 1 not only expands the commercial footprint of the franchise but also reaffirms the rise of Kannada cinema in the Hindi-speaking belt. As it continues its theatrical run, the film joins a rare bracket of dubbed releases to have crossed Rs. 100 crore, a benchmark that once belonged exclusively to pan-India giants from Telugu and Tamil industries.

Highest Hindi Dubbed Grossers at a glance:

Pushpa 2 - The Rule - Rs. 830.10 cr Baahubali 2 - The Conclusion - Rs. 510.99 cr KGF - Chapter 2 - Rs. 434.70 cr Kalki 2898 AD - Rs. 294.25 cr RRR - Rs. 274.31 cr 2.0 - Rs. 189.55 cr Mahavatar Narsimha - Rs. 182.83 cr Salaar: Part 1 - Ceasefire - rs. 153.84 cr Saaho - Rs. 142.95 cr Bahubali - The Beginning - Rs. 118.7 cr Pushpa: The Rise - Part 1 - Rs. 108.26 cr Kantara: A Legend Chapter - 1 - Rs. 103.10 cr



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It was Blockbuster Tuesday yesterday, which means tickets were available at a lower price for all the films. But Sunny Sanskari Ki Tulsi Kumari still remained on the lower side and ended up bringing in Rs. 3.60 crores.

This is the trajectory of practically all the films currently when Monday drop is more than what it used to be before Blockbuster Tuesdays came into existence. There is also this Wednesday drop that usually comes in.

The romcom has now collected Rs. 38.97 crores and the film will have an extended first week in the range of Rs. 44-45 crores. It has a couple of open weeks ahead and it will be interesting to see if the overall numbers do cross Rs. 65 crores mark. The coming weekend and then the next can be beneficial for the film in some way.

Produced by Karan Johar’s Dharma Production and directed by Shashank Khaitan, Sunny Sanskari Ki Tulsi Kumari has an ensemble cast of Varun Dhawan, Janhvi Kapoor, Sanya Malhotra and Rohit Saraf.

Note: All collections as per various box office sources



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On Thursday, Sunny Sanskari Ki Tulsi Kumari had opened at Rs. 10.11 crores. It then saw a dip on Friday, which was a working day. Following this, the film had some growth in numbers on Saturday (Rs. 7.80 crores) and Sunday (Rs. 8.20 crores) but it hasn’t been substantial enough.

Now, all eyes are on how does the film hold on Monday. Today, there is BOGO offer and tomorrow there will be Blockbuster Tuesday, which means collections will go up. Meanwhile, though Kantara: Chapter 1 has a different audience base for it, at the end of the day it’s huge competition as well as it has netted Rs. 75 crores already in its Hindi version.

Next up, the Varun Dhawan and Janhvi Kapoor fronted film would be aiming to go past the Rs. 50 crores mark soon and then collect some more for next couple of weeks till Diwali releases arrive. Janhvi Kapoor’s last release Param Sundari did a lifetime business of Rs. 53.25 crores. Sunny Sanskari Ki Tulsi Kumari will, at least, fare better than that.

Note: All collections as per various box office sources



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After seeing a dip in collections on Friday, Sunny Sanskari Ki Tulsi Kumari saw growth on Saturday as Rs. 7.80 crores came in. This was on the cards as well since the Karan Johar production is pretty much a Saturday film and romcoms like these tend to grow over the weekend.

One now waits to see how Sunday turns out to be and adds to the extended four-day weekend. Post that, it would be all about how it holds during the weekdays. The Varun Dhawan and Janhvi Kapoor led film is running at a decent count of screens and shows, though it deserved better showcasing due to credentials involved and also the fact that Kantara: Chapter 1 isn’t running riot either.

Nonetheless, things are where they are and now the three day collections stand at Rs. 23.92 crores. The film will comfortably go past the Rs. 30 crores mark by tonight and would find itself around Rs. 33 crores mark.

Note: All collections as per various box office sources



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