The records are tumbling, and how. Saiyaara continues to score big time with every passing day, as it’s now going past other big romantic musicals with established stars. There is a nationwide frenzy around the film which is playing at around 3500 odd screens, and still the collections are the kind that are usually associated with the biggies that play at around 4500 screens.

This was seen on Wednesday as well when collections were quite good at Rs. 8 crores. As a result, in just 13 days, Saiyaara is already the biggest ever for the romantic musical drama genre at Rs. 278.75 crores as Kabir Singh lifetime has been surpassed (Rs. 278.24 crores). Of course, this one was an A rated film but still, Saiyaara will collect at least Rs. 75 crores more and will end up comfortably going past the Rs. 350 crores milestone, which will make it unassailable.

Wait, there is more. With two more weeks ahead of it till YRF’s own War 2 arrives, it would be exciting to see how much more does Saiyaara earn. There is Mahavatar Narsimha doing quite well all over, in south there is Kingdom which has released today and then from Bollywood there are notable films like Son Of Sardaar 2 and Dhadak 2 as well arriving tomorrow, which means for audiences there is a lot of entertainment in store in time to come.

Note: All collections as per various box office sources

Two distinct films release today - Son of Sardaar 2 and Dhadak 2. First is a sequel, second is a franchise offering. Ajay Devgn-Mrunal Thakur starrer is a family comedy. Siddhant Chaturvedi-Triptii Dimri film is a romantic social drama. Former is set up as an out and out mass entertainer. Latter is aiming for multiplexes at key urban audiences before breaking out in the interiors.

The two films are as different from each other as they could have been, and usually this wouldn’t have been seen as a clash per se as they are appealing to an altogether different audience segment. What’s happening though is that is more than competing with each other, there is a lot of competition which is there from holdover releases Saiyaara and Mahavatar Narsimha. Former could still have been taken into the stride since it’s in the third week. However, it’s the latter which has arrived out of nowhere and is not just occupying a lot of screens and shows in the second week but also seeing an upwards trajectory after a fantastic first week. As a result, audiences have choices aplenty. In fact, the good thing for these new arrivals is that at least Vijay Deverakonda’s Samrajya has seen just a token Hindi release because if it had also seen a wide release then there would have been further competition.

Looking at all of this, Son of Sardaar 2 is aiming at an opening day of Rs. 5-6 crores. Though a double digit was otherwise a given for the film, the crowd around it means it would need to sneak its way in. On the other hand, Dhadak 2 will see Rs. 4-5 crores opening day. Again, it would have actually aimed for that Rs. 5-6 crores opening day but for now would depend entirely on word of mouth doing the trick.

In yet another box office milestone, Saiyaara, the romantic-action entertainer led by debutants Ahaan Panday and Aneet Padda, continues to surprise trade pundits with its strong and steady run. The Mohit Suri directorial has now clocked Rs. 8 crore on its second Wednesday, earning the distinction of being the second highest second Wednesday grosser of 2025, just behind Chhaava.

While Chhaava, the historical epic, set an exceptionally high benchmark with a massive Rs. 25.02 crore on its second Wednesday, Saiyaara's performance is noteworthy, especially considering it doesn’t have the advantage of big star power or a national holiday boost. The film’s appeal lies in its youthful charm, melodious music, emotional core, and the growing popularity of its leads. With this Rs. 8 crore haul, Saiyaara has comfortably left behind other notable releases such as Raid 2 (Rs. 3.32 crore), Sitaare Zameen Par (Rs. 2.70 crore), Kesari Chapter 2 (Rs. 2.25 crore), and Housefull 5 (Rs. 2 crore).

The strong hold on weekdays, particularly the second Wednesday, suggests excellent word-of-mouth and audience retention, a rare feat for films fronted by newcomers. What also stands out is how Saiyaara has consistently defied pre-release predictions. While most trade projections were cautiously optimistic, the film has emerged as a bonafide hit with staying power.

In a year dominated by larger-than-life spectacles and franchise fare, Saiyaara’s steady climb on the box office ladder offers a refreshing counterpoint. Its performance also signals the arrival of a new on-screen pairing that has resonated with audiences across age groups.

With War 2 releasing on August 14, the real test for Saiyaara will be how well it can hold its own amidst fierce competition. But for now, the film stands tall — second only to Chhaava, and comfortably ahead of some big-banner offerings — proving that content, music, and emotion still matter in a star-driven landscape.

Top 5 Highest Second Wednesday Grossers of 2025 at a glance: Chhaava - Rs. 25.02 cr Saiyaara - Rs. 8 cr Raid 2 - Rs. 3.32 cr Sitaare Zameen Par - Rs. 2.70 cr Kesari Chapter 2 - Rs. 2.25 cr Housefull 5 - Rs. 2 cr

Mahavatar Narsimha is a HIT. The film is continuing to rise at the box office at a rapid pace and this was evident on “Blockbuster Tuesday” as well. With reduced ticket prices coming into action, the film ended up collecting Rs. 5 crores more at the box office. On Monday, the animation film had brought in Rs. 3.50 crores, so this is yet another very good jump in numbers.

What’s remarkable is that the film has very restricted count of shows on which it’s playing and still the numbers that are coming in are quite good, which reflects high occupancy. In fact, yesterday, majority of evening shows were going full at most of the centres and that pushed the collections way past the Rs. 4 crores mark. In fact, even today and tomorrow the film will end up collecting over Rs. 3 crores each which means from Rs. 20.05 crores total that it currently stands on, it will push itself to a week of Rs. 26 crores, which is phenomenal.

As for Saiyaara, it also saw a rise in numbers from Rs. 9.50 crores Monday, as it stepped into the double digit zone again by bringing in Rs. 10.50 crores. Of course, it could well have been collecting a lot better if not for Mahavatar Narsimha arriving out of nowhere, something which it is impacting it by at least Rs. 2 crores on a daily basis. Currently standing at Rs. 270.75 crores, it will now have to wait till Saturday to enter the Rs. 300 Crore Club. Also, the best case scenario now for the film is an entry into the Rs. 400 Crore Club.

Note: All collections as per various box office sources

Saiyaara is continuing its victory run well into the weekdays of the second week as well, as Monday too saw good collections. The trending so far had indicated that a score in the vicinity of Rs. 10 crores was always on the cards. After all, Saturday had got into late 20s and then Sunday had yet another hit 30.

However there has been a spanner in the plans for the film. What seemed like a cakewalk to keep running on and on for weeks at succession has seen a hurdle in the form of Mahavatar Narsimha. The animation film has been doing quite well ever since release and has been seeing an unbelievable trending already. Though it was playing at select screens and shows on Friday and Saturday, it has now seen a huge rise in collections since Sunday with the showcasing further increasing on Monday.

As a result, as good as Rs. 3.60 crores came on Monday and that has hit Saiyaara by a couple of crores at least. While the love story could have comfortably collected Rs. 12-13 crores on Monday going by the trending in the last 10 days, it managed to bring in Rs. 9.50 crores with the overall total teaching Rs. 260.25 crores. While it’s still the highest collecting film by a distance, Mahavatar Narsimha is fast catching up as well and its 4 day score reads Rs. 14.70 crores.

This is turning out to be the best time for Bollywood in the entire 2025 and with Son Of Sardaar 2 and Dhadak 2 next followed by War 2 (incidentally, all sequels/franchises), there is very good reason for exhibitors to rejoice.

Note: All collections as per various box office sources

Mohit Suri’s Saiyaara continues its remarkable run at the global box office and has now added yet another feather to its cap. The romantic drama starring Ahaan Panday and Aneet Padda has emerged as the highest grossing Indian film of 2025 in Nepal, outperforming several big-ticket releases that previously dominated the territory.

After completing 10 days at the Nepalese box office, Saiyaara has collected NPR 6.62 crore, which translates to approximately INR 4.14 crore. With this, the film has overtaken the collections of other high-profile releases including Housefull 5, Sitaare Zameen Par, and Chhaava, setting a new benchmark for Indian films in the region this year.

In comparison, Housefull 5, which had a robust initial response in urban Nepal centres, managed a total of NPR 4.92 crore (INR 3.1 crore). Aamir Khan and Akshay Kumar’s emotionally driven Sitaare Zameen Par followed with NPR 3.22 crore (INR 2 crore), while Chhaava, starring Vicky Kaushal, trailed behind with NPR 2.20 crore (INR 1.4 crore). These figures highlight Saiyaara's clear lead in the territory and underline its widespread appeal.

What makes Saiyaara’s performance in Nepal particularly notable is the organic way in which the film has built its audience. Despite being headlined by debutants Ahaan Panday and Aneet Padda, the film has managed to resonate with the local audience through its universally relatable themes of love and heartbreak, bolstered by a memorable soundtrack and emotionally driven storytelling.

The film’s success in Nepal also reflects a changing cinematic landscape, where content-driven narratives with fresh faces are able to compete and even outperform established stars and franchises. The romantic genre, which had been on the backfoot in recent years, appears to be making a strong comeback – and Saiyaara is at the forefront of this revival.

Moreover, the performance indicates the increasing importance of overseas and niche regional markets such as Nepal in contributing to a film’s overall box office success. With Saiyaara dominating the 2025 charts in this territory, it is likely to drive renewed focus on content that can appeal across borders, especially in culturally and linguistically aligned regions.

As the film enters its third week, all eyes are now on whether it can sustain its momentum and set further records internationally. One thing is clear – Saiyaara has not just won hearts but also headlines.

Highest Grossers of 2025 in Nepal: Saiyaara - NPR 6.62 cr (INR Rs. 4.14 cr)

Housefull 5 - NPR 4.92 cr (INR Rs. 3.1 cr)

Sitaare Zameen Par - NPR 3.22 cr (INR Rs. 2 cr)

Chhaava - NPR 2.20 cr (INR Rs. 1.4 cr)

Mohit Suri’s romantic saga Saiyaara, featuring debutants Ahaan Panday and Aneet Padda, has not only captivated audiences in India but is also scripting a phenomenal success story across international territories. Now in its second weekend, the film’s overseas box office performance has seen a stunning surge, with growth figures crossing 300% in certain key markets — a rare feat for any Hindi film, let alone one headlined by newcomers.

The numbers speak volumes. In Germany, Saiyaara experienced a jaw-dropping 314.45% growth, with weekend collections rising from EUR 8,681 in its opening weekend to EUR 35,978 in its second weekend. Australia wasn't far behind, registering a massive 279.59% spike as earnings jumped from A$ 143,498 to A$ 544,717.

Similar trends were observed across the board, in Singapore, collections rose from SGD 15,751 to SGD 55,716, reflecting a 253.73% increase. New Zealand saw a leap from NZD 34,784 to NZD 109,602, marking 215.09% growth. In Malaysia, the film earned MR 57,486 in its second weekend, compared to MR 23,246 in its debut weekend, reflecting a 147.29% boost. The UK, a traditionally strong market for Bollywood, showed a solid 161.03% surge, with collections moving from GBP 194,072 to GBP 506,596. In the USA a conventionally strong market for most Bollywood releases, Saiyaara saw an increase from USD 760,219 on its opening weekend to USD 1,290,032 on its second weekend running, translating to 69.69% increase in collections.

This remarkable overseas performance has catapulted Saiyaara into the second spot among the highest overseas grossers of 2025, with total international earnings now touching USD 8 million. The only film ahead of it currently is the Vicky Kaushal-led historical epic Chhaava, which stands at USD 10.25 million. However, given the momentum Saiyaara has built over the past weekend, it's now well on track to surpass Chhaava and take the crown.

What makes Saiyaara’s overseas trajectory even more significant is the fact that it hinges entirely on the strength of its content, music, and performances — without the crutch of established stars. The film has found a deep emotional connect with diaspora audiences, particularly in romance-friendly markets like the UK, Australia, and Southeast Asia. The soaring numbers are a testament to the global appetite for heartfelt storytelling and soul-stirring music, both of which Saiyaara delivers in spades.

As the film enters its third weekend, trade experts expect the wave of support overseas to continue, with bookings showing minimal drops and screens being added in several countries due to demand. In an era where romantic dramas are few and far between, Saiyaara has emerged as a genre-resurrecting blockbuster, and its overseas success is further proof that love stories — when told right — travel far and wide.

Mohit Suri’s Saiyaara continues to assert its dominance not just in India, but across international markets as well. After concluding a stellar second weekend, the romantic drama starring debutant Ahaan Panday and Big Girls Don’t Cry breakout Aneet Padda has crossed another major milestone — Saiyaara has officially outperformed Aamir Khan and Akshay Kumar’s high-profile film Sitaare Zameen Par in overseas collections, taking its total to USD 8 million, with momentum still on its side.

The growth of Saiyaara in international territories is not just steady — it's exponential. From the Middle East to North America, the UK to Australia, the film has resonated with South Asian audiences craving a heartfelt, music-driven romance. Its universal themes of ambition, longing, and modern love, coupled with Mohit Suri’s signature emotional intensity and a soundtrack that has dominated streaming charts, have made it a global crowd-puller.

In surpassing Sitaare Zameen Par — a film led by two of Bollywood’s biggest stars — Saiyaara has proven that star power alone doesn’t define success in overseas markets. What works, evidently, is storytelling that strikes a chord, characters that feel real, and music that elevates every emotion. The romantic pull of Saiyaara has cut across geographical and generational lines, making it one of the rare debut-led films to become an overseas sensation.

The film has also leapfrogged past other big-budget titles such as Sikandar (USD 6.316 million), Housefull 5 (USD 5.45 million), Kesari Chapter 2 (USD 3.90 million), and Raid 2 (USD 3.40 million). These are projects that came with franchise weight or established lead actors, yet Saiyaara, riding primarily on its content and word-of-mouth buzz, has outshone them all in international territories.

What makes this even more significant is that Saiyaara has achieved these numbers in just two weeks, with several key overseas markets still reporting strong advance bookings and repeat viewership. With this kind of sustained performance, the next milestone seems inevitable — Vicky Kaushal’s Chhaava, which stands at USD 10.25 million, is now well within striking distance.

If Saiyaara continues on this trajectory, it will not only become one of the highest overseas grossers of the year but also rewrite the narrative around debutant-led films succeeding globally. It has already made history by making Ahaan Panday the first debutant to enter the Rs. 200 crore club in India, and now it seems poised to make a similar mark abroad.

With Saiyaara, Yash Raj Films and Mohit Suri have not just revived the romance genre — they’ve proven that emotionally rooted, musically rich stories still have universal appeal. And as it edges closer to overtaking Chhaava, Saiyaara may soon hold another box office crown to its name: the biggest overseas romantic blockbuster of the year.

Highest Overseas Grossers of 2025 at a glance: Chhaava - USD 10.25 million Saiyaara - USD 8 million Sitaare Zameen Par - USD 7.7 million Sikandar - USD 6.316 million Housefull 5 - USD 5.45 million Kesari Chapter 2 - USD 3.90 million Raid 2 - USD 3.40 million

Mohit Suri’s romantic drama Saiyaara is rapidly becoming one of the most talked-about box office stories of the year. After a thunderous opening and a week of consistent, audience-fuelled growth, the Ahaan Panday and Aneet Padda starrer has now achieved yet another major milestone — it has surpassed the collections of Sitaare Zameen Par and Housefull 5 to become the second highest second weekend grosser of 2025, collecting a staggering Rs. 75.50 crore over its second weekend.

From its very first day, Saiyaara signalled a shift in audience preferences. It proved that in a market saturated with action spectacles and franchise comedies, a well-crafted romantic film with fresh faces and a compelling emotional narrative could not only find an audience — it could dominate. The film opened to enthusiastic reviews, a flurry of positive word-of-mouth, and packed houses over its first weekend. The chemistry between debutant Ahaan Panday and breakout star Aneet Padda, combined with Mohit Suri’s signature storytelling style and a chart-busting soundtrack, struck a powerful chord with viewers across demographics.

But what truly cements Saiyaara’s growing legacy is its remarkable hold during the weekdays and its explosive second weekend numbers. While most films witness a steep dip in their second weekend, Saiyaara bucked the trend with strong advance bookings, particularly in urban centres, and growing traction in mass belts. The second weekend collection of Rs. 80 crore is more than double the combined second weekend figures of Raid 2 and Housefull 5 — a clear indicator of Saiyaara’s widespread appeal and sustained momentum.

When placed alongside the top second weekend grossers of the year so far, Saiyaara is second only to Chhaava, which collected a massive Rs. 109.23 crore. To outperform a high-profile film like Sitaare Zameen Par, which starred superstars Aamir Khan and Akshay Kumar, and a big-budget franchise entry like Housefull 5 is no small feat. Especially for a film led by newcomers and built around a genre many had prematurely written off. This only underscores Saiyaara’s breakout status and the incredible resonance it has found with audiences across India.

The box office performance also signals a broader trend: audiences are hungry for emotionally rich, musically driven love stories once again, especially ones that bring freshness both in casting and treatment. Mohit Suri, known for hits like Aashiqui 2 and Ek Villain, has reasserted his place as one of Bollywood’s most successful romantic storytellers, while Yash Raj Films’ gamble on new talent has paid off in a big way.

As Saiyaara continues to soar past milestones, the film is not only reshaping the 2025 box office narrative but also setting a new benchmark for debutants and non-franchise offerings. With its current momentum, industry watchers are now speculating just how high Saiyaara will climb in the weeks to come. 

Top 10 Highest Second Weekend Grossers of 2025 at a glance:

Chhaava - Rs. 109.23 cr

Saiyaara - Rs. 75.50 cr

Sitaare Zameen Par - Rs. 33.82 cr

Raid 2 - Rs. 25.62 cr

Housefull 5 - Rs. 24.25 cr

Sky Force - Rs. 19.80 cr

Kesari Chapter 2 - Rs. 19.39 cr

Bhool Chuk Maaf - Rs. 15.19 cr

Jaat - Rs. 12.94 cr

It’s Saiyaara wave all the way and there is no stopping that. After bringing in a huge Rs. 18.50 crores on Friday, the film further jumped on Saturday as a mammoth Rs. 27 crores came in. Yes, you read it right. The film jumped by almost 50% on Saturday and that too while playing on huge numbers already. While smaller films with smaller numbers in that Rs. 3-5 crores range are still known for jumping huge on Saturday, here we have a film which is collecting in the whereabouts of Rs. 20 crores for 8 days already and still goes on to see this kind of jump.

What makes these numbers further special is the fact that they are bigger than even first Saturday, which is unprecedented. Last Saturday, the Mohit Suri directed romantic musical drama had collected Rs. 26.25 crores while this Saturday as good as Rs. 27 crores have come in, which has never happened before. This also means that while Rs. 30 crores would be a cakewalk today, there is a good probability of the film hitting the Rs. 35 crores mark, which would be on the same lines as first Sunday of Rs. 36.25 crores.

All of this is also possible because most of the screens and shows are currently playing this Ahaan Panday and Aneet Padda film. Last week there was showcasing at 2225 screens whereas this week the number has gone up to 3800. That’s the kind of screens that big budget superstar films get in their first week and for Saiyaara to earn this in its second week goes on to say a lot about the kind of credibility that it has built en route its Rs. 200 Crore Club journey, what with the total standing at Rs. 220.75 crores.

Note: All collections as per various box office sources

Mohit Suri’s Saiyaara continues to script history at the box office. Headlined by debutants Ahaan Panday and Aneet Padda, the romantic drama has now crossed the coveted Rs. 200 crore mark at the domestic box office, becoming only the second film of 2025 to achieve this feat — and it has done so in just 9 days.

The film, which opened to a strong Rs. 22 crore on its first day, has shown no signs of slowing down since its release. Thanks to a powerful emotional narrative, chart-topping music, and breakout performances by its leads, Saiyaara has been pulling audiences into theatres across India — from metros to small towns — even in the face of stiff competition. After a phenomenal first week, the film's momentum has carried over seamlessly into its second weekend, allowing it to reach Rs. 220.75 crore nett in just over a week.

This performance makes Saiyaara the second-fastest film of the year to enter the Rs. 200 crore club after Chhaava, which crossed Rs. 203.68 crore in 7 days. While Chhaava was always expected to perform well given its star power and historical theme, Saiyaara’s success is particularly noteworthy, considering it was led by fresh faces and relied heavily on storytelling, music, and word-of-mouth rather than large-scale promotions or action-driven spectacle.

What’s particularly impressive is the consistency of Saiyaara’s daily collections. Even on weekdays — traditionally a slowdown period for most releases — the film continued to register Rs. 20 crore-plus figures, with audiences showing up in droves. The youth-centric romance has clearly struck a chord, especially with Gen Z viewers who see themselves reflected in the film’s modern, emotionally nuanced take on love and ambition.

The combination of Mohit Suri’s direction, a soul-stirring soundtrack, and the fresh screen presence of Ahaan Panday and Aneet Padda has created a perfect storm — one that industry insiders say could push the film even further up the charts in the coming weeks.

With Saiyaara showing remarkable staying power and no major competition on the immediate horizon, the film is expected to continue its golden run at the box office. It now joins a very elite group of films that have not only opened big but sustained their performance into the second week — a feat usually reserved for star-studded blockbusters.

In just 9 days, Saiyaara has not only shattered expectations but also reaffirmed that good content, compelling music, and heartfelt performances can lead a film to massive success — even without established stars. And as it marches confidently past the Rs. 200 crore milestone, one thing is certain: Saiyaara has officially become one of 2025’s defining cinematic stories.

Fastest Rs. 200 cr Grossers of 2025 at a glance:

Chhaava – Rs. 203.68 cr – 7 Days

Saiyaara – Rs. 205 cr – 9 Days

Brace up for more records to be broken by Saiyaara in days to come. The manner in which the second week has kickstarted, rest assured more than Rs. 100 crores will quite comfortably come in. That’s because on Friday, the film brought in Rs. 18.50 crores, which is truly terrific because the day before it had netted Rs. 19.50 crores, which means there is hardly any drop.

As a matter of fact, it has hardly dipped when compared to the first Friday either which already had blockbuster collections of Rs. 22 crores. To have such a minor dip is a testimony to the fact that audiences have lapped up the film in an unimaginable way. What has to be seen is how do collections turn out to be today and tomorrow, since last Saturday (Rs. 26.25 crores) and Sunday (Rs. 36.25 crores) were as it is humongous. While today the collections should zoom into Rs. 27-28 crores range, it would be interesting to see if tomorrow the numbers go a crore or two ahead of last Sunday.

The Ahaan Panday and Aneet Padda film is already a blockbuster of epic proportions as Rs. 193.75 crores have already come in. In fact, as you read this, the film has already entered the Rs. 200 Crore Club and by the close of the second weekend, Rs. 250 crores mark would be very comfortably crossed. Next up is the Rs. 300 Crore Club milestone and one can already imagine Mohit Suri and Aditya Chopra getting ready to pop the champagne.

Note: All collections as per various box office sources

The Aamir Khan-starrer Sitaare Zameen Par has completed a month since its release in cinemas and continues to do well. In four weeks, it collected Rs. 160.62 crores, and although the film was affected in Week 5 due to the Saiyaara wave, it continues to draw in the audience, especially on weekends in urban areas. At this rate, it might end up collecting around Rs. 166-167 crores in its lifetime.

Interestingly, Sitaare Zameen Par is now Aamir Khan’s first hit since Fanaa (2006), which hasn't been released on Christmas. Aamir has been selective in the last 2 decades while making films, with Christmas becoming synonymous with Aamir Khan’s releases. In fact, since 2007, Aamir Khan has had 10 releases, of which 6 of these films have been released on or around December 25.

After the super-hit Fanaa, which was released on May 26, 2006, Aamir was seen directly on Christmas 2007 in Taare Zameen Par. Despite its unconventional subject, it ended up collecting Rs. 61.83 crores, emerging as a surprise hit. Exactly a year later, he was seen in Ghajini (2008), the first Rs. 100 crore film of Bollywood. In the following Christmas, Aamir inaugurated the Rs. 200 Crore Club with 3 Idiots (2009).

He returned as a leading actor nearly three years later with Talaash. It was released on November 30, 2012 and due to the not-so-commercial approach, it was a Semi Hit. Aamir Khan's next three films were all Christmas releases, namely Dhoom (2013), PK (2014) and Dangal (2016). All three were blockbusters, with the last two being record grossers of their times.

Aamir Khan's next after Dangal as a leading man was the 2018 Diwali release, Thugs Of Hindostan. Despite having the biggest opening then (Rs. 52.25 crores), it fell rapidly due to poor reports and was a flop. Almost four years later, the superstar returned with Laal Singh Chaddha, which arrived in cinemas on August 11, 2022, to take advantage of the Independence Day weekend. Sadly, the promos and songs didn't excite the viewers much and even the word of mouth wasn't encouraging. This affected its opening and also its lifetime.

This way, Sitaare Zameen Par, which was Aamir’s next after Laal Singh Chaddha, has emerged as his first non-Christmas success in 19 years. With this film, too, Aamir faced several challenges. The opening was not up to the mark. However, the way the film jumped by nearly 100% on day 2 stunned the trade. A very positive word of mouth and brand Aamir’s credibility helped the film big time and no wonder that it continues to play in several cinemas across the country, even in its sixth week.

Aamir Khan's releases as a leading actor after Fanaa

1. Taare Zameen Par Release Date: December 21, 2007 Lifetime: Rs. 61.83 crores Verdict: Hit

2. Ghajini Release Date: December 25, 2008 Lifetime: Rs. 114 crores Verdict: Blockbuster

3. 3 Idiots Release Date: December 25, 2009 Lifetime: Rs. 202.95 crores Verdict: All Time Blockbuster

4. Talaash Release Date: November 30, 2012 Lifetime: Rs. 93.40 crores Verdict: Semi-Hit

5. Dhoom 3 Release Date: December 20, 2013 Lifetime: Rs. 284.27 crores Verdict: Blockbuster

6. PK Release Date: December 19, 2014 Lifetime: Rs. 340.80 crores Verdict: All Time Blockbuster

7. Dangal Release Date: December 23, 2016 Lifetime: Rs. 387.38 crores Verdict: All Time Blockbuster

8. Thugs Of Hindostan Release Date: November 8, 2016 Lifetime: Rs. 151.19 crores Verdict: Flop

9. Laal Singh Chaddha Release Date: August 11, 2022 Lifetime: Rs. 58.73 crores Verdict: Flop

10. Sitaare Zameen Par Release Date: June 20, 2025 Lifetime: Rs. 160.62 crores (until Week 4) Verdict: Hit

Saiyaara is a BLOCKBUSTER. In just one week, it has gathered the kind of numbers that so many biggies have struggled to accumulate in their entire lifetime. That’s what makes the film industry so special as there are surprises galore that spark up the box office. There are cheers and smiles all around when such kind of audience as well as industry loves comes in from all directions and that’s what has happened indeed for this Mohit Suri directed romantic musical.

The film continued to bring in excellent collections on a day on day basis, and to see that even Thursday saw as huge as Rs. 19.50 crores is a testimony to the fact that the momentum is on the film’s side. In fact, when compared to Friday collections of Rs. 22 crores, there is practically no drop in footfalls as weekday pricing is different. Today again the film will do really well and with no competition whatsoever, rest assured Rs. 20 crores mark will be crossed all over again.

After one week, the film now stands at Rs. 175.25 crores and by tomorrow afternoon itself the Rs. 200 Crore Club mark will be hit. There are so many more milestones all set to be hit as Rs. 300 crores isn’t too far away either. The pace at which the film is currently going, an entry into the Rs. 300 Crore Club too will happen by the close of their weekend. From that point on, it would be interesting to see if there is ample steam left in this Ahaan Panday and Aneet Padda film to aim for that Rs. 400 crores milestone.

Note: All collections as per various box office sources

Mohit Suri's latest directorial venture Saiyaara has scripted history, not just at the box office this year but also in the filmmaker's own career. The romantic drama starring debutants Ahaan Panday and Aneet Padda has emerged as Suri’s highest-grossing film to date, collecting a phenomenal Rs. 155.75 crore nett in India. In doing so, Saiyaara has shattered the previous records held by his earlier blockbusters, setting a new benchmark for the filmmaker known for his emotionally rich and musically driven cinema.

Prior to Saiyaara, Mohit Suri's highest grosser was the 2014 action-romance Ek Villain, which had amassed Rs. 105.62 crore during its theatrical run. With Saiyaara now clocking Rs. 50.13 crore more, it has surpassed Ek Villain by a whopping 47.5%, a staggering growth considering Saiyaara was headlined by two newcomers and released without the advantage of a franchise or major star power.

Suri’s earlier romantic hit Aashiqui 2, which became a musical phenomenon in 2013 and introduced a new wave of love stories in Bollywood, had collected Rs. 78.42 crore. Saiyaara has now more than doubled that figure, registering an impressive 98.5% increase, solidifying its status as a generational hit that resonates deeply with today’s youth audience.

Even more significantly, Saiyaara has performed considerably better than Suri's other commercially successful titles in the last decade. His 2017 film Half Girlfriend collected Rs. 60.30 crore, while Malang (2020), a stylish action-thriller, ended its run at Rs. 58.99 crore. Both films featured established stars and wide marketing campaigns, yet Saiyaara has managed to eclipse them by 158.3% and 164% respectively.

Going further back, Suri’s early hit Murder 2 (2011) had minted Rs. 47.90 crore at the domestic box office. Compared to that, Saiyaara has registered a jaw-dropping 225% jump, showcasing how far the filmmaker has come both in scale and box office prowess.

What makes this feat particularly remarkable is that Saiyaara achieved these numbers in a competitive market landscape, without the support of extended holidays or an existing IP. Its massive success is driven by a deeply resonant storyline, a chartbuster soundtrack, and Mohit Suri’s signature directorial finesse—proving yet again that romance, when done right, can still capture the heart of a nation.

For Suri, Saiyaara not only reaffirms his reputation as Bollywood’s go-to storyteller for emotionally intense love stories but also marks a career milestone that places him firmly among the industry’s top-performing directors. With more eyes now on what he does next, the bar has undoubtedly been raised.

Mohit Suri’s Highest Grossers at a glance: Saiyaara - Rs. 155.75 cr Ek Villain - Rs. 105.62 cr Aashiqui 2 - Rs. 78.42 cr Half Girlfriend - Rs. 60.30 cr Malang - Rs. 58.99 cr Murder 2 - Rs. 47.90 cr

Mohit Suri’s latest cinematic triumph, Saiyaara, continues its breathtaking run at the box office, officially crossing the coveted Rs. 200 crore mark in global earnings. As of now, the Ahaan Panday and Aneet Padda starrer has amassed a staggering Rs. 225.73 crore worldwide—an extraordinary feat for a film led by two debutants.

According to official figures, Saiyaara has collected Rs. 155.75 crore nett in India, which translates to a gross of Rs. 188.67 crore domestically. Overseas, the film has performed exceptionally well too, adding another Rs. 37.06 crore to its tally. This brings the total worldwide gross to Rs. 225.73 crore, solidifying Saiyaara's position as one of the biggest success stories of 2025.

What makes this achievement especially remarkable is the film’s origin: a romance helmed by newcomers, released without the cushion of a festival holiday or the backing of a franchise. Director Mohit Suri, best known for hits like Aashiqui 2 and Ek Villain, has once again tapped into the zeitgeist with a soulful love story that is finding resonance not just in India, but globally.

The film's meteoric rise has been fuelled by several factors. The fresh pairing of Ahaan Panday and Aneet Padda has been widely appreciated for its chemistry and emotional authenticity. The music, too, has played a crucial role—dominating streaming charts and becoming an anthem for this generation. The Saiyaara title track alone has broken multiple records, including becoming the most-streamed Bollywood song in a single day on Spotify India.

Critics and trade analysts alike have pointed out how Saiyaara has redefined what success can look like in the post-pandemic entertainment landscape. By betting on new faces and a genre (romantic drama) that many had prematurely written off, Yash Raj Films and Mohit Suri have not only delivered a blockbuster but also reignited faith in heartfelt storytelling.

As the film enters its third week with strong weekday holds and no major competitors in sight, Saiyaara is poised to stretch its legs even further. With momentum on its side and continued support from audiences across age groups, it wouldn't be surprising if the film inches closer to the Rs. 250 crore club in the coming days.

In an industry increasingly dominated by CGI-laden spectacles and big-banner franchises, Saiyaara’s success is a testament to the timeless power of love, music, and genuine cinematic emotion.

Saiyaara Worldwide Box Office at a glance:

India Nett: Rs. 155.75 cr

India Gross: Rs. 188.67 cr

Overseas Gross: Rs. 37.06 cr

Worldwide Gross: Rs. 225.73 cr

The Mohit Suri-directed Saiyaara starring Ahaan Panday and Aneet Padda, is showing no signs of slowing down. After a thunderous opening weekend and record-breaking weekday performance, the film has now added another feather to its cap by registering the second-highest first Wednesday box office collection of 2025. With a remarkable Rs. 22 crore nett haul on its sixth day, Saiyaara has officially surpassed the Wednesday numbers of major star-studded releases like Sitaare Zameen Par (Rs. 7.51 crore), Housefull 5 (Rs. 7 crore), and Raid 2 (Rs. 4.81 crore).

The only film ahead of Saiyaara on this list remains Chhaava, which had clocked Rs. 32.40 crore on its first Wednesday. However, considering the fact that Saiyaara is led by two fresh faces—Ahaan Panday and Aneet Padda—and not backed by a major franchise or holiday weekend, its Wednesday numbers are a significant milestone not only for the film but for the industry at large.

This consistent performance, particularly on weekdays, highlights the film’s extraordinary word-of-mouth traction. The narrative of Saiyaara—a modern-day romance grounded in realism and powered by a universally resonant soundtrack—has struck a chord with audiences across demographics. The story, its music, and the sincerity of performances have driven footfalls steadily, even as bigger-budget and more commercially formulaic films have struggled to maintain momentum beyond the weekend.

What makes Saiyaara’s feat especially commendable is its uphill climb in a crowded release calendar, with competition both at the box office and on streaming platforms. Yet, the film continues to dominate conversations, social media trends, and most importantly, ticket counters.

Trade experts attribute Saiyaara’s success to multiple factors: Mohit Suri’s signature touch in handling intense emotional drama, a chart-topping music album that has become a national sensation, and the unexpected freshness of its lead cast. The fact that it has edged past projects backed by established stars and franchises on a working weekday reinforces the idea that content-driven cinema—when done right—can hold its own even without conventional star power.

With Thursday and the second weekend ahead, all eyes are on whether Saiyaara can continue its dream run and cement its place as one of 2025’s most successful and culturally significant films.

Highest First Wednesday Grossers of 2025 at a glance:

Chhaava - Rs. 32.40 cr

Saiyaara - Rs. 22 cr

Sitaare Zameen Par - Rs. 7.51 cr

Housefull 5 - Rs. 7 cr

Sky Force - Rs. 6.60 cr

Raid 2 - Rs. 4.81 cr

Every day, Saiyaara is creating history. If Monday was huge (Rs. 24.25 crores) with collections being bigger than Friday (Rs. 22 crores), then Tuesday has been further extraordinary. The collections have turned out to be quite close to Saturday (Rs. 26.25 crores), what with Rs. 25 crores coming in.

To think of it, the film is playing at half the count of screens when it comes to big star studded holiday releases that usually play at 4000-4500 screens at an average. Still, the collections during weekdays are historic, which is a testimony to how the film has been lapped by the audiences across the country and that too in such a huge way. A, B or C centres, elite or gentry, single screens or multiplexes, it’s Saiyaara wave all the way.

As a matter of fact, on Tuesday the ticket rates were discounted due to Blockbuster Tuesday offer, and still the collections are so much higher which means in terms of footfalls, it was an altogether different game. Moreover, the momentum is continuing well into the weekdays as well and by the look of things, Wednesday collections too may turn out to be Rs. 20 crores+, which is unprecedented. With Rs. 133.75 crores in its kitty already, this Mohit Suri, Ahaan Panday, Aneet Padda and YRF musical romantic drama is a blockbuster of epic proportions and Rs. 200 Crore Club entry will happen on Saturday itself.

Note: All collections as per various box office sources

Every day, Saiyaara is creating history. If Monday was huge (Rs. 24.25 crores) with collections being bigger than Friday (Rs. 22 crores), then Tuesday has been further extraordinary. The collections have turned out to be quite close to Saturday (Rs. 26.25 crores), what with Rs. 25 crores coming in.

To think of it, the film is playing at half the count of screens when it comes to big star studded holiday releases that usually play at 4000-4500 screens at an average. Still, the collections during weekdays are historic, which is a testimony to how the film has been lapped by the audiences across the country and that too in such a huge way. A, B or C centres, elite or gentry, single screens or multiplexes, it’s Saiyaara wave all the way.

As a matter of fact, on Tuesday the ticket rates were discounted due to Blockbuster Tuesday offer, and still the collections are so much higher which means in terms of footfalls, it was an altogether different game. Moreover, the momentum is continuing well into the weekdays as well and by the look of things, Wednesday collections too may turn out to be Rs. 20 crores+, which is unprecedented. With Rs. 133.75 crores in its kitty already, this Mohit Suri, Ahaan Panday, Aneet Padda and YRF musical romantic drama is a blockbuster of epic proportions and Rs. 200 Crore Club entry will happen on Saturday itself.

Note: All collections as per various box office sources

Mohit Suri’s romantic drama Saiyaara continues its unprecedented run at the box office. After shattering records for a newcomer-led film, the Ahaan Panday–Aneet Padda starrer has now broken into the coveted list of Biggest Single-Day Grossers of 2025, securing the fifth spot with its Day 3 earnings of Rs. 36.25 crore.

What makes this milestone truly remarkable is the context in which it has been achieved. With no franchise tag, no festival release window, and no major stars headlining the film, Saiyaara has managed to achieve numbers that are typically reserved for tentpole blockbusters with established fan bases and massive marketing pushes.

With Saiyaara making it into this top five, it becomes the only non-Chhaava entry to feature on this elite list so far in 2025. The third-day surge was driven by extraordinary audience turnout across metros and mass belts alike, powered by strong word-of-mouth and a swelling fanbase for the film’s lead pair.

For Mohit Suri, the success of Saiyaara marks a career-defining moment. Known for helming emotionally intense love stories like Aashiqui 2 and Ek Villain, Suri has delivered yet another cultural phenomenon—this time with a fresh-faced cast and a story that has clearly resonated across demographics.

The film’s powerful soundtrack, combined with Suri’s signature style and emotionally driven storytelling, has amplified its appeal, making it one of the most talked-about films of the year. Industry insiders are now closely watching its weekday performance, which so far shows no signs of slowing down.

Having crossed the Rs. 100 crore mark globally within just a few days and now joining the ranks of the biggest single-day performers of the year, Saiyaara continues to prove that substance, emotion, and strong storytelling can triumph over star power and spectacle. And with more milestones in sight, the film is poised to become one of the defining box office stories of 2025.

Top 5 biggest single-day grossers of 2025 Chhaava – Rs. 49.03 crore (Day 3) Chhaava – Rs. 44.10 crore (Day 9) Chhaava – Rs. 41.10 crore (Day 10) Chhaava – Rs. 39.30 crore (Day 2) Saiyaara – Rs. 36.25 crore (Day 3)

Mohit Suri’s romantic drama Saiyaara, starring Ahaan Panday and Aneet Padda has pulled off yet another box office triumph, surpassing all expectations and industry benchmarks. After an explosive opening weekend that stunned trade pundits and shattered records, the film has now achieved a new milestone—Saiyaara has recorded the highest first Monday collection of 2025, surpassing even the year’s previous top-grosser Chhaava.

On its first Monday, Saiyaara raked in an impressive Rs. 24.25 crore, just edging past Chhaava’s Monday haul of Rs. 24.10 crore. The difference may be marginal, but the significance is monumental. While Chhaava, headlined by Vicky Kaushal, came with the backing of a major star and extensive pre-release buzz, Saiyaara stars complete newcomers—Ahaan Panday and Aneet Padda—making the feat all the more extraordinary.

What makes this accomplishment truly stand out is the trajectory Saiyaara is following. Films generally see a sharp dip in collections on the first Monday after release, especially when there’s no national holiday or festive season to cushion the fall. But Saiyaara has bucked this trend completely. Instead of slowing down, it maintained a robust hold at the box office and, remarkably, collected even more on Monday than it did on its opening Friday, a rare occurrence in recent years.

To put Saiyaara’s Monday numbers into perspective, other major releases of 2025 saw significantly lower figures: Housefull 5 collected Rs. 10 crore, Sitaare Zameen Par brought in Rs. 8.50 crore, Sky Force stood at Rs. 8.10 crore, and Raid 2 trailed with Rs. 7.74 crore. These were star-led vehicles with substantial promotions and marketing campaigns behind them, yet Saiyaara, devoid of big names or franchise branding, has outshone them all.

Mohit Suri’s direction, emotionally resonant storytelling, and strong music have clearly struck a chord with audiences. The film’s gripping narrative and relatable characters have ensured that the word-of-mouth buzz remains extremely positive, translating into strong footfalls not just over the weekend but also as the workweek begins.

With Saiyaara leading the 2025 box office on every key metric—highest opening for newcomers, highest weekend total, and now the highest first Monday collection—it is fast becoming a once-in-a-generation success story. If the trend continues, the film is likely to cross more milestones in the coming days, cementing its place as one of the year’s most remarkable box office sagas.

Top 5 Highest First Monday Grossers of 2025 at a glance: Saiyaara - Rs. 24.25 cr Chhaava - Rs. 24.10 cr Housefull 5 - Rs. 10 cr Sitaare Zameen Par - Rs. 8.50 cr Sky Force - Rs. 8.10 cr Raid 2 - Rs. 7.74 cr

In what can only be described as a box office phenomenon, Saiyaara continues to rewrite the record books with every passing day. After delivering a sensational opening weekend, the Mohit Suri directorial has pulled off another historic feat—its Monday collections have outpaced its Friday earnings, a rarity in the world of cinema, especially for a film led by newcomers.

Saiyaara collected a staggering Rs. 24.25 crore on Monday—higher than its opening day collection of Rs. 22 crore—proving that the romantic drama is not just a weekend wonder but a long-distance runner at the box office. With this, the film's total collections stand at an astonishing Rs. 108.75 crore in just four days.

What makes this feat even more monumental is that Saiyaara has now logged the highest Monday collection for a film featuring newcomers—a category long dominated by big-banner debuts and star-driven films. But Saiyaara hasn't stopped there.

Incredibly, the film’s Monday collection has also eclipsed the Monday earnings of major star vehicles released this year—Housefull 5 starring Akshay Kumar, Raid 2 with Ajay Devgn, and Sitaare Zameen Par headlined by Aamir Khan. Even Chhaava, the current highest-grossing film of 2025 featuring Vicky Kaushal, failed to match Saiyaara’s Monday number—further underlining the magnitude of this achievement.

Directed by Mohit Suri and starring debutants Ahaan Panday and Aneet Padda, Saiyaara is defying every box office norm. It has no festival release cushion, no franchise baggage, and no A-list celebrity face leading the charge. And yet, it's packing theatres across India, riding high on word-of-mouth, repeat viewings, and its emotionally resonant narrative.

Contributing to this sustained momentum is the strategic launch of the #BlockbusterTuesdays initiative, which offers discounted ticket pricing midweek. With advance sales for Tuesday already pointing toward another strong turnout, industry insiders are predicting another historic day at the box office.

With Saiyaara standing tall at Rs. 108.75 crore in just four days, the film is now well on its way to joining the elite Rs. 150 crore club before the end of its first week. It’s not just a hit; it’s a movement—challenging conventional wisdom, reviving faith in original storytelling, and proving that heart, craft, and conviction can still triumph over star power.

One thing is clear: Saiyaara is no longer just a successful debut—it’s a cultural and commercial juggernaut rewriting the rules of the game.

After scoring a record opening weekend for a love story, Saiyaara continued its victory march on Monday as well, what with the collections turning out to be simply fantabulous. While Friday stood at Rs. 22 crores, Monday was further ahead of it as Rs. 24.25 crores more came in. These are simply unprecedented numbers for a movie that had anyways opened way beyond expectations and now with Monday, a regular working day, equating as much, the deal is sealed for the Mohit Suri film. It’s a BLOCKBUSTER.

By means of comparison, biggest love story grosser since the inception of Rs. 100 Crore Club, Kabir Singh, had opened at Rs. 20.21 crores, enjoyed a weekend of Rs. 70.83 crores and then continued its momentum into Monday with Rs. 17.54 crores being collected. Now Saiyaara has started at Rs. 22 crores, scored a weekend of Rs. 84 crores and Monday has gone up to Rs. 24.25 crores. In all ways, this Ahaan Panday and Aneet Padda film is doing much better, which means Kabir Singh lifetime of Rs. 278.24 crores would be comfortably surpassed.

In its journey to achieve the Rs. 300 Crore Club milestone and beyond, this YRF offering has now already entered the Rs. 100 Crore Club as its four day collections stand at Rs. 108.75 crores. Today, the film will see a further increase in numbers as Blockbuster Tuesday offer is on, which means footfalls are going to be very heavy. Despite reduced ticket rates, huge occupancy would mean better numbers which means Rs. 130 crores mark would be comfortably crossed in a matter of just 5 days.

Note: All collections as per various box office sources

There were decent expectations from Mohit Suri’s Saiyaara when the film’s trailer was out. But what it has achieved at the box office is nothing short of miraculous, considering that it stars a pair of newcomers – Ahaan Panday and Aneet Padda – in lead roles. Earlier in the day, Bollywood Hungama reported that the film earned a mammoth Rs. 84 crores in its opening weekend in India.

It is now learnt that Saiyaara has performed exceptionally well even in the worldwide market. Yash Raj Films, the producers, just shared the film’s worldwide number on social media and it comes down to an incredible Rs. 119 crores gross! The production house captioned the post, “Thank you for showering #Saiyaara with so much ❤ In cinemas now, book your tickets today.”

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  A post shared by Yash Raj Films (@yrf)

The film’s music has also played a major role in its success with all its songs succeeding in impressing the viewers. The title song has stood out from the rest as it also a part in the film’s narrative during an important juncture.

Saiyaara has also been performing well today despite it being on Monday, which was also reported by Bollywood Hungama early in the day. The film’s box office journey is far from over and it is expected to finish with a large amount.

Also Read: Saiyaara Box Office: Mohit Suri directorial surpasses Housefull 5, Raid 2, Sky Force and Sitaare Zameen Par; emerge as second-highest opening weekend grosser of 2025

Bollywood has seen mass hysteria before. It has witnessed euphoria. But Saiyaara? That’s something else entirely. A film headlined by rank newcomers, with no franchise muscle, no festive release cushion, and minimal pre-release hype, has roared like a box office behemoth — rewriting the rules of what constitutes a blockbuster in today’s cinema.

Over its opening weekend, Saiyaara has recorded a jaw-dropping Rs. 84 crore nett in India — a feat even big-ticket films struggle to achieve. With Friday pulling in Rs. 22 crore, Saturday surging to Rs. 26.25 crore, and Sunday peaking at Rs. 35.75 crore, Saiyaara has declared loud and clear: this is not just a debut hit — it’s a cultural phenomenon.

And what makes this all the more staggering? There was no holiday weekend, no star-driven PR blitz, and no pan-India push. What Saiyaara had instead was emotion, word-of-mouth, and relatability. The film’s strong emotional core, directed with flair by Mohit Suri, and the fresh chemistry of debutants Ahaan Panday and Aneet Padda, struck a powerful chord with Gen Z and millennial audiences — the primary demographic driving ticket sales today.

Sunday witnessed a national surge, not just in urban multiplexes but even Tier-2 and Tier-3 centres, as families, couples, and youth turned Saiyaara into a shared movie-going ritual. It wasn’t just a film anymore. It was an experience. Theatres ran packed, shows went houseful by the hour, and social media was flooded with reels, reactions, and reviews calling it “the most unexpectedly beautiful love story in years.”

Industry insiders are stunned. The film's current box office trending now finds it in the same breath as Pathaan, Jawan, Gadar 2, Animal, Pushpa 2, Stree 2, and Chhaava — despite running on fewer screens and significantly fewer show counts. That kind of trajectory is unprecedented for a film with zero legacy backing.

Box office analysts believe Saiyaara is now headed towards a historic Week 1 total, with early trends suggesting minimal drop-off on weekdays. Given the euphoric word-of-mouth and high repeat value, crossing the Rs. 125 crore mark by Thursday seems more than achievable.

As the film continues its meteoric run, it also delivers a powerful industry lesson: storytelling still reigns supreme. Saiyaara has broken the long-held notion that only star-driven spectacles bring in the numbers. It has smashed through the obsession with casting, budgets, and holiday calendars. And most importantly, it has reignited hope that fresh talent, when packaged with sincerity and emotion, cannot just survive — but thrive.

With ₹84 crore already banked and the momentum only building, it’s safe to say: Saiyaara isn’t just a box office success. It’s a full-blown movement.

Saiyaara is an unstoppable force at the box office in India, as the Ahaan Panday and Aneet Padda starrer is looking to collect around Rs. 34 crores on Sunday. With this, the three-day total of Mohit Suri's directorial stands at Rs. 82 crores, and the film has a good chance of hitting a century in 4 days flat.

Saiyaara has got the mass audience on board in big numbers and the same is reflecting in the box office collections too. The multiplex chains have collected around Rs. 40 crores in 3 days, contributing 48 percent to the total business.

Mohit Suri has established Ahaan Panday and Aneet Padda as stars, with Saiyaara as the film has become an anthem for the youth and masses. The business is at a different level altogether and won’t stop anytime soon.

The film faced showcasing issues on Friday & Saturday, leading to an increase in shows for Sunday. A love story doing well is a great sign for the film industry, as the magic of romance continues to be intact

Records are piling up for Saiyaara already. The film is now following a trajectory better than the biggest film till date in romantic musical genre, Kabir Singh. The Shahid Kapoor and Kiara Advani starrer had opened at Rs. 20.21 crores and then went on to enjoy a weekend of Rs. 70.83 crores. While the Ahaan Panday and Aneet Padda film had edged past the opening day with Rs. 22 crores (revised) on its first day, it’s now set to emerge as the biggest ever in this space as the weekend will comfortably surpass Rs. 70.83 crores, what with Rs. 48.25 crores already in its kitty.

That’s because while Kabir Singh had the second day of Rs. 22.71 crores, Saiyaara has done much better with a Rs. 26.25 crores haul. It has already managed to take a lead and even if it now manages to match the third of Kabir Singh (Rs. 27.91 crores), it will go on to have a much bigger weekend. Yes, Sandeep Reddy Vanga film was also A certified which limited its reach; however, it had the star presence of Shahid Kapoor and then each of its songs was a chartbuster already. Here, Mohit Suri’s Saiyaara had rank newcomers and then barring a couple of songs, rest have started becoming popular after the film’s release.

All eyes are now on now does the film further grow today. Advance booking is already solid for the film and the real fun would be to hit the Rs. 30 crores mark. It would be tough though since there are many other films playing, especially from Hollywood, which have a lot of screens and shows dedicated to them. As a result, it’s the capacity issue which Saiyaara is battling currently.

Note: All collections as per various box office sources

History has been created. Saiyaara has defied all box office predictions and taken an excellent start. It was predicted in this column that the film would take an opening of Rs. 15-18 crores. In fact, even that was an afterthought because till a week before, it seemed like Rs. 6-8 crores start was on the anvil and even that would have been quite good. Then came Rs. 10-12 crores when the advance booking opened. By the time it started gathering place, Rs. 15-18 crores seemed on the cards. However, what has happened is totally unthinkable, totally unbelievable, as some of the biggest releases of 2025 have been challenged by this romantic musical.

The film has started at Rs. 21.25 crores and that puts all pre-release calculations to rest. North-South-West-East, single screens or multiplexes, urban centres or interiors, the film has opened well wherever it has found a screen for itself. In fact, it has been released at just around 2000 screens and that reflects the kind of capacity that the film has been enjoying from the very first show.

Ever since the inception of the Rs. 100 Crore Club, never before has a film with newcomers taken even a double digit start as Student Of The Year (Rs. 7.48 crores), Heropanti (Rs. 6.85 crores) and Hero (Rs. 6.63 crores) were good but below Rs. 10 crores mark. However his Ahaan Pandya and Ameer Padda film has done almost triple the business of the biggest so far, which goes on to show how brand Mohit Suri, melodious music and backing by YRF has made this one such a biggie. While Rs. 100 Crore Club would be reached by the film in the first week itself, even Rs. 200 crores would be a cakewalk for Saiyaara.

Note: All collections as per various box office sources

After scoring a good half century in Week One by bringing in Rs. 56.48 crores, Jurassic World: Rebirth did well in second week as well by dropping just around 55% and in the process collecting Rs. 25.61 crores. These are very good overall numbers for the film which had mixed reports from the audiences. Still, Brand Jurassic is such that it invariably attracts audiences regardless of the reviews and the reports, and that’s what has brought it to Rs. 82.09 crores in two weeks.

The film did come down to Rs. 1.37 crore on its second Thursday and now with the arrival of Saiyaara, the screens and shows have been further divided. Yes, there are still some major premium slots still available for it and that will ensure that there would be a good rise in collections all over again in the third weekend. Also, for family audiences, this one stays on to be a good bet. However, there are multiple holdover releases as well and then next week arrives Son Of Sardaar 2, which means screens and shows will further reduce.

This is why one waits to see whether the film ultimately ends up entering the Rs. 100 Crore Club. By the look of things, it should stretch and reach there eventually. It won’t be a rapid run towards that milestone but before it’s off the theatres, Rs. 100 crores mark will be reached. Eventually it would be a very good overall result for the film as after Mission: Impossible - The Final Reckoning, it would be yet another Hollywood affair to cross the century mark.

Note: All collections as per various box office sources

After taking a good opening of Rs. 7.23 crores, Superman slowed down during the weekdays as Day 7 came to mere Rs. 1.82 crores. While Hollywood movies are traditionally weekend affairs, one still expected collections to hover around Rs. 2.50-3 crores mark at least. However, when Monday itself went below the Rs. 2.50 crores mark and stood at Rs. 2.36 crores, it was quite apparent that the first week would turn out to be just about average.

This is what happened indeed as after the first weekend didn’t really get a double digit score with Saturday being agonisingly short by just a lakh at Rs. 9.99 crores and Sunday actually dipping a bit at Rs. 9.39 crores, the weekdays stayed in Rs. 2 crores zone with Thursday going further low at Rs. 1.82 crores. On its second Friday, the film has anyways faced immense challenge due to the arrival of Saiyaara, as a result of which the collections have taken a hit.

While the first week numbers were Rs. 35.58 crores, so far, the film has netted Rs. 37 crores*. The good part is that there would be a rise in collections seen today and since the film is anyways playing at lower levels now, the quantum of jump will look bigger. There continues to be competition from Hollywood’s own Jurassic World: Rebirth as well as F1 - The Movie which means audiences are spilt for choices. Superman will go past Rs. 50 crores lifetime and if only the content would have entertained better too then after an opening of Rs. 7.23 crores, even a lifetime of around Rs. 65-75 crores could have been achieved.

*Estimates

Note: All collections as per various box office sources

The Yash Raj Films produced Saiyaara starring Ahaan Panday and Aneet Padda has taken a bumper start at the box office in India. According to early estimates, the Mohit Suri directorial has collected in the range of Rs. 20 crores to Rs. 22 crores on the first day, surpassing all industry projections by a humongous margin.

The film has performed well across the board, from urban centers to mass belts, from multiplexes to single screens, and has achieved a start that can be termed the best of 2025 in real value.

The national chains are looking to collect in the range of Rs. 11 crores, contributing 52 percent to the total business. The film has taken the best start for a newcomer since Kaho Naa..Pyaar Hai and Aditya Chopra has successfully launched two potential stars of the Indian Film Industry.

Saiyaara has defied all pre-written rules of cinema and has changed the game of marketing for the film fraternity. The film is sure to enter the Rs. 100 crore club within a week and pose strong competition to releases in the time to come.

Mohit Suri’s romantic flick Saiyaara, starring Ahaan Panday and Aneet Padda, has emerged as a huge surprise even before its release. The advance booking commenced on Monday in some cinemas without any official announcement and yet, it took a flying start. In this Bollywood Hungama special feature, we’ll focus on the ticket sales in the MovieMax chain of multiplexes.

As of Wednesday, July 16 at 11:15 am, Saiyaara has sold 2,059 tickets across its 19 cinemas and 77 screens. The number is impressive since Saiyaara is still two days away from release. As it's usually seen, the ticket sales increase considerably on Wednesday and Thursday. Hence, it remains to be seen if it's able to cross the 5000 or 6000 mark.

At present, Saiyaara is on the 28th slot when it comes to top advance booking grossers at MovieMax. Some of the films ahead of it are Jurassic World: Rebirth (2087 tickets), Badass Ravi Kumar (2400 tickets; had the Rs. 99 offer), Fighter (2850 tickets), Sikandar (3700 tickets), Kalki2898 AD (5100 tickets), Dunki (6300 tickets), Brahmastra (6500 tickets), Singham Again (7000 tickets), Jawan (17,500 tickets), Animal (18,600 tickets), Stree 2 (21,870 tickets), Chhaava (21,900 tickets) and Pushpa 2 – The Rule (22,500 tickets).

Meanwhile, Saiyaara has beaten prominent films like Rocky Aur Rani Kii Prem Kahaani (1,400 tickets), Sitaare Zameen Par (1262 tickets), Bade Miyan Chote Miyan (1175 tickets), Kesari Chapter 2 (1146 tickets), etc. All these films opened at Rs. 10 crores plus. Hence, it won't be wrong to predict that Saiyaara can also open in double digits.

Looking at the momentum, it is expected to go past the milestone set by Fighter and Sikandar. Can it beat films like Dunki, Brahmastra, Singham Again etc, is the question.

On the other hand, as of Wednesday, 11:00 am, Saiyaara has sold a whopping 45,000 tickets in the national chains – 33,500 tickets in PVR Inox and 11,500 tickets in Cinepolis.

The films that sold more than 1000 tickets in advance in MovieMax are as follows: 1. Pushpa 2 – The Rule (Hindi) - 22,500 tickets 2. Chhaava - 21,900 tickets 3. Stree 2 - 21,780 tickets 4. Animal (Hindi) - 18,600 tickets 5. Jawan (Hindi) - 17,500 tickets 6. Bhool Bhulaiyaa 3 - 13,000 tickets 7. Gadar 2 - 12,500 tickets 8. Pathaan (Hindi) - 10,500 tickets 9. Adipurush (Hindi) - 9,600 tickets 10. Tiger3 (Hindi) - 8,400 tickets 11. Singham Again - 7,000 tickets 12. Brahmastra (Hindi) - 6,500 tickets 13. Dunki - 6,300 tickets 14. Mr & Mrs Mahi - 6,300 tickets (Rs 99 offer) 15. Deadpool & Wolverine - 6,125 tickets 16. Kalk i2898 AD Hindi - 5,100 tickets 17. Article 370 - 4,800 tickets (Rs 99 offer) 18. Raid 2 - 4,400 tickets 19. Mission: Impossible – The Final Reckoning - 3,800 tickets 20. Sikandar - 3,700 tickets 21. Housefull 5 - 3,452 tickets 22. Shaitaan - 3,000 tickets 23. Fighter - 2,850 tickets 24. Salaar - 2,700 tickets 25. OMG 2 - 2,500 tickets 26. Badass Ravi Kumar - 2,400 tickets 27. Jurassic World: Rebirth - 2,087 tickets 28. Saiyaara - 2,059 tickets (2 days to go) 29. Crew - 1,900 tickets 30. Baby John - 1,700 tickets 31. Dharamveer 2 - 1,600 tickets 32. Sky Force - 1,500 tickets 33. Bad Newwz - 1,500 tickets 34. Rocky Aur Rani Kii Prem Kahaani - 1,400 tickets 35. Dream Girl 2 - 1,360 tickets 36. Mission Impossible: Dead Reckoning – Part One - 1,350 tickets 37. Sitaare Zameen Par - 1,262 tickets 38. Fukrey 3 - 1,200 tickets 39. Bade Miyan Chote Miyan - 1,175 tickets 40. Crakk - 1,200 tickets (Rs 99 offer) 41. Kesari Chapter 2 - 1,146 tickets 42. Azaad - 1,115 tickets (Rs 99 offer) 43. Emergency - 1,070 tickets (Rs 99 offer) 44. Jaat - 1,005 tickets 45. Leo (Hindi) - 1,000 tickets

It was a good weekend for Superman as Rs. 25 crores milestone was comfortably crossed. The weekend is better than F1: The Movie, which has emerged as a ‘lambi race ka ghoda’ and lesser than Jurassic World: Rebirth, which has emerged as a quick-fire success. What matters though is that this is yet another good success from Hollywood in quick succession and for the exhibition circle this is great news as it keeps cinema-visiting habit intact amongst the audiences.

As a brand, Superman has been popular in the comic book scenario but as a movie, it didn’t really have any theatrical audience in India for the longest time. Yes, he is a superhero but that genre is totally dominated by Marvel movies and hence the success story that Superman has emerged as a cinematic experience in India is a first.

The film did start well with Rs. 7.24 crores coming on the first day and from this point on there was good growth on Saturday while Sunday stabilised. It wasn’t a meteoric rise though since an action film typically finds a good audience on the first day itself and then there is regular growth in days to come. The upwards trend was good enough to ensure Rs. 26.30 crores being collected by the close of first weekend. Yet again, it was the IMAX properties that brought in substantial moolah, what with majority of shows going houseful.

Note: All collections as per various box office sources.

Metro… In Dino is seeing good stability in its second weekend as well. After consistent collections on day-to-day basis during the first week, all eyes were on whether the film will find an audience in the second weekend. After all, there is huge competition from Hollywood in the form of Superman, Jurassic World: Rebirth and F1: The Movie. Also, from Bollywood there is the new release Maalik and to some extent, holdover release Sitaare Zameen Par too.

Well, the Anurag Basu film has found resonance with its target audience, the ones at the key metros, and here at premium multiplexes there are consistent footfalls now. Word of mouth amongst those who have a taste for such niche urban affairs is decent to good, and that has been fine enough to ensure that the film stays in circulation.

This was seen on Saturday as well when Rs. 4.50 crores* more came in. For a film which is in its second weekend, these are good enough numbers because first Saturday stood at Rs. 6.81 crores, so the drop is much lesser than 50%. With the overall collections standing at Rs. 35.50 crores*, the ensemble affair is well on track to cross Rs. 50 crores milestone rather comfortably.

*Estimates

Note: All collections as per various box office sources

Rajkummar Rao's foray into action with Maalik has met with a lukewarm response at the box office in India. According to early estimates, Maalik has collected in the range of Rs. 3.25 crores to Rs. 3.75 crores, in sync with the pre-release predictions. The film has opened better than what the advance bookings suggested, as there was a fear of starting around the Rs. 2.50 crore mark too, but the walk-ups were better due to mass-appealing content.

The urban markets are not up to the mark, whereas there is some genuine movement in the single screens. The start is however, poor as the costs are on the higher side and the film needed to show a better start to have a chance. There won't be much of a growth as the action genre is usually frontloaded.

Maalik is likely to collect Rs. 15 crores over the opening weekend.

It was a decent Sunday for Metro… In Dino as Rs. 7.79 crores came in. Ideally, these should have been the first day collections for the film because if that would have been the case then Saturday and Sunday would have at least got into a double digit score. Howeve,r since that didn’t turn out to be the case and the growth was also that regular weekend one, and not phenomenal, the film hasn’t managed to touch Rs. 10 crores so far.

With that not happening, not just the weekend has turned out to be low but now the pressure would be on weekdays to over perform. The trending of such kind of multiplex oriented films in the past has shown that if weekend growth is not monumental then on Monday there is further drop over Friday seen. Hence, all associated with Metro… In Dino would be hoping for a miracle to happen and the trends to reverse, so that Monday collections come close to Friday numbers of Rs. 4.05 crores.

The film has collected Rs. 18.65 crores which is pretty much on the same lines as last week’s Maa, which had brought in 18.43 crores over its first weekend. Now Metro.. In Dino is a much bigger film with a far larger ensemble cast and the credentials involved. Yes, it has faced a lot of competition from Sitaare Zameen Par, Jurassic World Rebirth and F1 The Movie because in absence of that it would certainly have done at least 50% better. However, the fact remains that this is where things are and now one waits to see how this Anurag Basu film does in weekdays to come.

Note: All collections as per various box office sources

The Anurag Basu directed Metro In Dino has seen an upward swing in business in the opening weekend, as the word of mouth in the urban markets started to come into play for the romantic saga. After opening at Rs. 4 crore on Friday, Metro In Dino jumped at Rs. 6.80 crore on Saturday, and Rs. 7.50 crore on Sunday. With this, the three-day total stands at Rs. 18 crore.

The film, as expected, is doing the best business in the urban areas, and the national multiplexes have contributed about 65 percent to the total business. The film needs to show bare minimal drop on Monday, and then hold at similar levels through the week, leading to the second weekend. The weekend trend is encouraging, but the real test for Metro In Dino begins on the weekdays.

The film has a strong ensemble cast, and a situational music album which is drawing the audience to the big screen. If the film holds well in week one, this will end up being a success story in the long run.

Metro… In Dino saw good growth on Saturday as collections jumped to Rs. 6.81 crores. On Friday, Rs. 4.05 crores had come in, so definitely there is good improvement. However, the film needed to follow a trajectory like that of Sitaare Zameen Par since first and foremost it had opened less than half of it and secondly, for it to cover a good distance towards even a decent lifetime score, growth of 100% or more which was required.

Nonetheless, the fact remains that the film has jumped, which shows that there is appreciation in certain pockets at least. That was expected too since the film has decent credentials and reports, and hence at least in premium multiplexes of major cities there are bound to be footfalls. However, the momentum needs to continue building and while today the requirement is for further jump on the same lines as Saturday, Monday would need to be more or at least equal to that of Friday.

So far, the Anurag Basu directed film has reached Rs. 10.86 crores and the weekend would need to be at least Rs. 20 crores. Last week, Maa had weekend collections of Rs. 18.43 crores after seeing a better opening than Metro… In Dino and then could muster Rs. 27.10 crores after Week One. Metro… In Dino should do better than that since it’s a core multiplex film and here the holds are expected to be better. However, the film would need to play on for a much longer time from second week onwards as well to register a fair lifetime score of at least Rs. 50 crores.

Note: All collections as per various box office sources

The Anurag Basu directed Metro In Dino has seen a 60 percent jump in collections on Saturday, as early estimates are suggesting second day business in the range of Rs. 6.40 crore to Rs. 6.60 crore. With this, the two day total of Metro In Dino stands at Rs. 10.50 crore, and the film will score an opening weekend of Rs. 17 crore.

The film has shown good jump in the multiplexes, and it was always expected as the film caters to the elite audience in urban areas. The film is a rather expensive one, which means that a lot of work is yet to be done. A strong hold on Monday, and a healthy trend for at-least 3 weeks is needed to take it past the finish line.

Metro In Dino has appreciation in the urban centres, and not so much in the mass belts, as director Basu has made a film strictly for the high ticket price paying audience in the posh areas of India.

The national multiplexes have contributed about 65 percent to the business in the first two days.

As was predicted in this column a couple of days back, Metro… In Dino was expected to open in Rs. 3-4 crores range. Not that it was the kind of opening that augured well with the budget and credentials of the film. Still, post pandemic things have changed a lot, especially for niche urban multiplex kind of films like these which rely entirely on word of mouth. There is a lot of content like this which has been unleashed on OTT in the last 5 years, which means the content needs to be super solid for the film to grow from Saturday onwards.

That’s what all associated with the film would be looking forward to as well after the first day collections of Rs. 4.05 crores. The good part is that at least it hasn’t gone below the expectations that one had from it and now the stage is open for it to perform from this point on. It could well have had a field day as well but then there are Jurassic World Rebirth, F1 The Movie and Sitaare Zameen Par playing as well, all of which are catering to the same segment of multiplex audiences in key Indian cities. This means the film has task cut out for it.

Reviews as well as audience word of mouth for the film ranges from being decent to good, which means it has the potential to go up. However, the jump would need to be really big and at the very least it needs to go up by 75%, if not 100%. That would be a challenge indeed but then that’s something which is the need of the hour as well for this ensemble affair One waits to see how if that happens indeed.

Note: All collections as per various box office sources

As Bollywood crosses the halfway mark in 2025, the overseas box office offers a compelling narrative of how Indian cinema continues to find resonance far beyond domestic borders. Leading the charge is Vicky Kaushal’s historical epic Chhaava, which has asserted its dominance with a powerful overseas haul, while Sikandar, starring Salman Khan, has turned heads with its strong global showing despite mixed reviews at home. What emerges from the Top 10 list is not just star power, but a shifting landscape where content, nostalgia, and mass appeal are being received differently across international markets.

Vicky Kaushal’s Chhaava leads the overseas box office with a formidable USD 10.25 million, cementing its place not just as a domestic giant but as a worldwide performer. The film’s themes of legacy, sacrifice, and cultural pride have clearly struck a chord with the Indian diaspora, particularly in North America, the Middle East, and the UK. Compared to the rest of the films on the list, Chhaava stands almost 62% ahead of the second-ranked film, underlining the global appetite for sweeping period dramas when executed with scale and heart.

Salman Khan’s Sikandar takes the second spot with USD 6.316 million, a performance that underscores Salman’s enduring popularity overseas, even when the film's domestic collection wasn't at its peak. What worked in its favour was the wide release strategy across Gulf countries and Canada, where Salman continues to enjoy a massive fan base. While not a blockbuster by his own towering standards, Sikandar still delivered one of the year’s most bankable international runs. 

Housefull 5, the latest chapter in the hit comedy franchise, claims the third position with USD 5.45 million. The film’s overseas numbers indicate that its slapstick humour and ensemble appeal continue to travel well, especially in the UK and Australia where the franchise has always enjoyed loyal followings. While the film couldn’t match the franchise’s previous instalment in domestic numbers, it outpaced several action films overseas, proving that big-screen comedy still has its place when nostalgia meets accessibility.

Close behind is Aamir Khan’s Sitaare Zameen Par, which grossed USD 5.15 million. The film, rooted in emotional storytelling and family values, saw a strong run in North America and New Zealand. Though it narrowly missed surpassing Housefull 5, it performed exceptionally well for a non-franchise film and showcased Aamir’s global draw with audiences that favour substance over spectacle.

Kesari Chapter 2, Akshay Kumar’s sequel to the 2019 war drama, pulled in USD 3.90 million overseas. Though it didn’t scale the highs of Kesari, which had performed better in overseas markets, the sequel still proved Akshay’s patriotic narratives have consistent pull abroad, particularly in regions with large Sikh populations like Canada and the UK.

Ajay Devgn’s Raid 2 follows with USD 3.40 million. Unlike Raid, which had a relatively modest overseas run, the sequel benefited from Devgn’s growing credibility in intense, realistic dramas. While not a top-tier overseas performer, it found its audience, especially in UAE and Singapore.

Top 6 highest overseas grossers of 2025 at a glance:

Chhaava - USD 10.25 mil.

Sikandar - USD 6.316 mil.

Housefull 5 - USD 5.45 mil.

Sitaare Zameen Par - USD 5.15 mil.

Kesari Chapter 2 - USD 3.90 mil.

Raid 2 - USD 3.40 mil.